(We want to welcome SAG Member Justine Bateman as a regular contributor to United Hollywood. We hope to continue opening the site up to more voices from SAG and other unions. Justine reminds us that this fight belongs to all of us. We're all on the same page.)

Attention all SAG Actors:

I believe it's appropriate at this time to call all actors into action in support of the Writer's Guild on strike.
I know many of us have been walking the picket lines and attending the rallies, but I want to challenge ALL SAG members to see if they can commit an HOUR-A-DAY to walking the picket lines.
The AMPTP has been jerking the Writer's Guild around.
1. They offered nothing but insulting Roll-Backs to the WGA in the negotiations that caused the strike.

The last day of official picketing ended with a high point at Fox.

Writers were joined on the picket line by many supporters. The honking at the Pico gate reached new decibel levels as crowds of picketers filled the sidewalk and waved their signs at the passing traffic.

The signs told the story: "WGA-DGA-SAG", "The House is Not Divided," "DGA-WGA Member," "Union Solidarity".

The appearance of so many SAG and DGA members made the point that even though the AMPTP spin machine works hard to create the impression that there is dissension between the unions and in the ranks of the WGA, the opposite is true.

Of course the strike has created tensions. How could it not?

There should be tensions when so much is at stake and so much has been sacrificed in the fight with the congloms. But our common interests outweigh that tension, and our solidarity is real.

This is the first of what we hope will be a number of "calls to action."

As of last week, the AMPTP retained the powerhouse "crisis management" firm of Fabiani and Lehane (known in political circles as "the Masters of Disaster." )They also have "a reputation for hardball tactics in damage control and inflicting damage on opponents."

Patric Verrone and Michael Winship just sent this message to the membership. The WGA is determined to stay at the table until we have a deal. If the AMPTP wants to negotiate in good faith, and end the strike, we are at the table.

Dear Fellow Members,

Before we head into negotiations this morning, we want to give you an update on where we stand.

United Hollywood has secretly obtained a transcript of one of the earlier negotiating sessions which illustrates just what the writers are facing at the bargaining table...

WGA: We'd like a whopping four pennies more on each DVD sold.
AMPTP: We're going to punch you in the face and take your dog.
WGA: We'd like to be compensated for our work that's distributed over the Internet.
AMPTP: We're going to punch you in the face and take your dog.
WGA: We don't think it's fair you're trying to have short-form content written non-guild.
AMPTP: Fine. We won't take your dog. That's off the table. After you shout from the rooftops and thank us, which proposal are you going to take off the table?

It's Thanksgiving week, and in the spirit of that we hope all our readers will take some time to help those in need to whatever extent they can.

The excellent LiveJournal community wga_supporters recently ran this note from David Rambo of CSI:

We've taken down our earlier post comparing the economic values of the DGA deal summary vs. the WGA proposal.

The document we were linking to was an internal working paper, and the figures were premature. Since the comprehensive version of the DGA deal is still not available, final figures can't yet be accurately calculated. We don't feel that it's productive to the discussion to post until

This is the letter that was just sent to the membership:

AMPTP BREAKS OFF NEGOTIATIONS

Today, after three days of discussions, the AMPTP came back to us with a proposal that included a total rejection of our proposal on Internet streaming of December 3.

They are holding to their offer of a $250 fixed residual for unlimited one year streaming after a six-week window of free use. They still insist on the DVD rate for Internet downloads.

They refuse to cover original material made for new media.

On Monday, February 11 from 2-6pm, United Hollywood and Strike Swag invite all members of the United Hollywood community to be photographed for a PR campaign to promote the new United Hollywood site.

The concept of the campaign is to show writers, actors, directors, crew, staff and fans standing united to meet the challenges of the digital present. That's right, the challenges of now.

(The following is a post from WGA member Kevin Droney. The man made it through the '88 strike, and he knows his facts and figures.)

Why Production Crews Should Be Cheering On the Writers

I’ve talked with a few IA guys over the past few days, and they were generally unaware of a few things in their own contracts with the Alliance. To whit:

1) Their unions, including I.A.T.S.E., IBT Local 399, Studio Utility Employees Local 724, IBEW Local 40, Plumbers & Pipefitters Local 78, and the Plasterers & Cement Masons Local 755… ALL RECEIVE RESIDUALS.
2) These residual payments go directly into their PENSION AND HEALTH FUND.
3) RESIDUALS earned working on shows CONSTITUTE 55% OF THEIR P & H.
4) If there are funding surpluses from residuals, retirees receive a 13th and a 14th check in that year, instead of the normal twelve.

Two articles in the New York Times today (11/16/07) put a personal perspective on the strike. Bill Carter's "Late Shows Move to Help The Workers Not on Strike" and Jennifer Steinhauer's "Writers' Strike Opens New Window on Hollywood".

Carter reports about efforts by Talk Show Hosts to keep their staffs paid, even if they can't be on the air. Steinhauer profiles the personal stories of writers, costumers, assistants, electricians, and thousands of others who are now or who will soon be out of work.

What these stories have in common is one underlying fact: the AMPTP won't sit down with the WGA.

Notwithstanding the AMPTP's full page ads, they'd rather spend their energy and money on avoiding talking to the writers and negotiating a fair deal. And why?

This letter was just sent out to SAG members by Doug Allen (Executive Director and Chief Negotiator) and Allen Rosenberg (President). Emphases in red are from us at UH -- LK.

Dear SAG Member:

Everyone hopes the WGA strike will end with a fair deal for the writers. There has been much speculation about the impact on the WGA strike of the tentative agreement between the Directors Guild of America

This was submitted by WGA member Marc Guggenheim.

It’s déja vu all over again in Hollywood.

On October 31, 2007, the day the WGA’s contract with the studios was set to expire, the AMPTP issued the following statement to the WGA:We’ve been working hard to come up with a package in response to your last proposal. But we keep running up against the DVD issue. The companies believe that movement is possible on other issues, but they cannot make any movement when confronted with your continuing efforts to increase the DVD formula, including the formula for electronic sell-through.

Today, Tuesday, 11/20/07, Los Angeles will experience a labor rally in support of the WGA strike. Marching west on Hollywood Boulevard from Ivar and gathering in front of Grauman's Chinese Theater, thousands upon thousands will join together to celebrate the importance of labor unions in American life.

And how will you know about this momentous occasion? You'll have to be there.

At the last rally in front of Fox Studios, 4,000 writers and their supporters marched and rallied, but when you watched the evening news, you'd never know it . There was plenty of time that night to talk about lost kittens but nothing about the peaceful march that closed down Pico Boulevard and Avenue of the Stars.

Today's rally marks a crucial juncture: a mass demonstration of our strength before the negotiations restart.

UPDATE: The Fremantle picket and rally on Friday will feature a performance by Tenacious D. Also scheduled to appear: Writer Boi. We are told more bookings will be announced.

Most Recent UH News

• Info on the Holiday Harvest Food Drive at picket sites
• E-mail from John Bowman on the current WGA proposals
• Financial details of the WGA proposals, analysis of the AMPTP's partial proposal

Below is an op-ed piece from Wednesday's Los Angeles Times.

Stopping the cash flow will strengthen the writers' case, not cutting deals.

January 9, 2008

We get the impression, in this third month of the Hollywood writers strike, that morale on the picket lines and in the coffee shops isn't so hot. That's odd, given how strong the writers are looking right now.

With the downfall of the Golden

The California Democratic Party is officially on record as supporting the WGA's strike action. Stating in their resolution:

WHEREAS, the Association of Motion Picture and Television Producers (AMPTP) has refused to recognize the legitimate claims of the approximately 12,000 members of the Writers Guild of America (WGA) to fair remuneration through residuals on the distribution of its members’ creative endeavors on any current distribution platforms and those yet to be developed, including the monitoring and enforcement thereof; and

(The post below was written by WGA Board member Nick Kazan)

If the consequences weren’t so tragic, it would be pretty comical to see the Companies mocking our Executive Director David Young for never having made a deal in Hollywood. Of course he has made deals for us, four of them (including the Comedy Central deal and the “Family Guy” game deal), but yeah, he’s never before negotiated a contract with the AMPTP.

Call me crazy, but I think that’s a good thing, because it means he’s never made a lousy deal, never made a sweetheart deal; he’s never been chummy with Nick Counter, and he refuses to bend over and give them what they want and expect. He’s not part of their club. Thank God.

Former WGAw board member Michael Russnow has been covering the strike on his personal site and recently began blogging "The Writers Strike for Dummies" on the Huffington Post. In his most recent entry, Russnow discusses the importance of setting precedents for compensation on the Web. We believed the AMPTP when they cajoled us to accept the cable deal in 1981 with the understanding that when they

The strike is over. The WGA contract has been ratified. SAG and AFTRA are now center stage and there is still a lot of work to do before the town gets back to normal. At this moment it's useful to look back at our own history. There are lessons to be learned about how the process can move forward even against what seems like overwhelming odds.

There are many who labored behind the scenes to support the writers' strike. At United Hollywood we worked with people who put their energy on the line but wanted to stay off the media's radar. Not content to just talk a good game, these are members and supporters who knew that if they wanted to make a difference, they had to work at it.

One group in particular came of age during the early part of the strike: the writer-directors. Nicknamed the WD-40, forty writer-directors met to search for ways they could help facilitate the negotiation.

From the beginning of the strike, most journalists accepted the AMPTP's lead and described the DGA and WGA as antagonistic to one another. Nicholas Counter was frequently quoted in the trades as preferring the DGA as a negotiating partner. The writer-directors objected to that characterization and felt that the AMPTP was doing what it always did in positioning the Guilds against one another to diminish each union's power.

(We want to welcome Teamster Member John Jabaley as a regular contributor to United Hollywood, and we hope to continue to add voices and perspectives from all unions.)

Last night was a literary evening at my house. After "Go, Dog, Go!" and "One Fish, Two Fish, Red Fish, Blue Fish" we continued the Ingalls' family saga with a chapter of "Little Town on the Prairie." After my kids fell asleep I settled down to look at the AMPTP's latest proposal to the WGA.

I really should have stuck with P.D. Eastman & Dr. Seuss. A big dog party up there in the tree is something I can believe in. But $250.00 in residuals? For a whole year? Really?

I couldn't resist grabbing a paper towel and pen to try and figure out what this proposal means for those of us below the line.

To Our Fellow Members:

Yesterday, the WGAW and WGAE presented to the AMPTP a response to its proposal on streaming television programs.

We accepted the framework in their proposal of last Thursday for a fixed residual in the first year.

But rather than basing the residual for the entire first year on a small percentage of the applicable minimum, we proposed that the fixed residual be paid on a higher percentage of applicable minimum for each 100,000 streams per quarter.

This is a readily ascertainable number. In fact, the companies are already keeping records of streams for their advertisers. Both the advertisers and the companies are already using these numbers as the basis for their business model.

United Hollywood is keeping CBS mogul Les Moonves in its thoughts and prayers. As Bloomberg news reports, Moonves signed a new compensation package worth, on the low end, $30 million dollars per year. But shockingly, his base salary was cruelly cut from $5.6 million in 2006 to a mere $3.5 million in 2007. Such a devastating loss of income must be particularly difficult around the holidays. It certainly is for all of us on strike or put out of work.

Perhaps when this strike is resolved -- and we writers, below the line crew, actors and directors have our income restored -- we can all chip in to help Les Moonves through his time of need. Until then, Les, if you need a place to crash, I have a futon.

WGA Press release from yesterday:

Los Angeles – Paul Howes, national secretary of the 135,000-strong Australian Workers’ Union, joined striking writers on the picket line in front of Fox Studios today in Los Angeles. In California for various meetings, Howes asked to meet with the WGA and discuss mutual labor issues.

“The AWU is one of Australia’s largest and most influential labor unions, and

This was contributed by Thania St. John, WGA member since 1988.

We did it. We accomplished the impossible. We got the AMPTP back to the table and finally received a counter-proposal to the one we made them so many months ago. The deal they made with the DGA is the first true sign of negotiation they’ve shown since we started asking them to do so back in July.
That, my friends, is a great victory

Robert J. Elisberg, WGA Member and contributor to The Huffington Post, wrote a piece excerpted here called, "WGA Strike Primer: Settling a Final Debt."

It's not officially over yet, of course. There still is the matter of approving the contract. It's a 10-day process, a blink by strike standards, but long enough. Arguments of all views will be made, we do know that -- these are writers after all

Hollywood Homecoming, an event honoring the veteran writers, directors and stars of yesteryear who helped form and shape the unions we are fighting to protect, will be held this Friday, November 30th, from 10AM-12PM at Sony Studios in Culver City.

But your help is needed getting the word out and locating those trailblazers of Hollywood's Golden Age.

So who do you know? Is Shirley Temple your next door neighbor? Do you go to church with Esther Williams? Are you related to Mickey Rooney? Do you live next door to an Academy Award winning director from years past? Was your grandfather one of the writers on "The Wizard of Oz?" Did your great aunt work as the assistant to David O. Selznick? Does your family have a long history in the biz?

Help locate these guests and join us to pay tribute to them.

Gosh, I don't know. Do you?

I've been asked many times if the strike is going to end this week. Nikki Finke posted a very optimistic report from an insider yesterday morning, and that has set off a wave of enthusiasm. "Fire up the margarita machine!" you say.

Well, not so fast. First of all, it's November, and who drinks margaritas in November?