The strike is over. The WGA contract has been ratified. SAG and AFTRA are now center stage and there is still a lot of work to do before the town gets back to normal. At this moment it's useful to look back at our own history. There are lessons to be learned about how the process can move forward even against what seems like overwhelming odds.

There are many who labored behind the scenes to support the writers' strike. At United Hollywood we worked with people who put their energy on the line but wanted to stay off the media's radar. Not content to just talk a good game, these are members and supporters who knew that if they wanted to make a difference, they had to work at it.

One group in particular came of age during the early part of the strike: the writer-directors. Nicknamed the WD-40, forty writer-directors met to search for ways they could help facilitate the negotiation.

From the beginning of the strike, most journalists accepted the AMPTP's lead and described the DGA and WGA as antagonistic to one another. Nicholas Counter was frequently quoted in the trades as preferring the DGA as a negotiating partner. The writer-directors objected to that characterization and felt that the AMPTP was doing what it always did in positioning the Guilds against one another to diminish each union's power.

In 1988, Joan Didion wrote an essay on the writers' strike. There's a link to a pdf version at los angeles daze -- it's a must-read.

Agree or disagree with how this strike has been waged, she puts her finger on realities that sound eerily familiar, 20 years later -- and on some key differences as well.

Most importantly, the Union Blues writers that she talks about, who broke the back of the '88

WEDNESDAY, JANUARY 23

THE DAILY SHOW WRITERS V. THE COLBERT SHOW WRITERS
will have a mock debate showdown on why America should care about the Writers' Strike. Moderated by DEE DEE MYERS (former Clinton press sec and West Wing consultant.)

THIS IS A NATIONAL EVENT HOSTED BY MEMBERS OF CONGRESSS
who are eager to hear our side of the issues.

FOLLOWING THE DEBATE MICHAEL WINSHIP WGA east

What we have been calling the "Union Solidarity Fund" is now officially called the Writers Guild Foundation Industry Support Fund. Our friends at the Foundation have stepped up to coordinate the tremendous outpouring of generosity from businesses, fans, writers, actors, directors and the public to help non-WGA professionals affected by the strike. We will link to information on how to apply for assistance as soon as it is on the Foundation site.

The Foundation is accepting donations now. Send them to 7000 W. Third St. LA 90048, and indicate "Industry Support Fund."

This was submitted by WGA member Christopher Trumbo, member for 40 years, and son of WGA member Dalton Trumbo. His insights into the history of the guild are especially valuable now, as the strike continues and the AMPTP tries to divide us.

On Monday, February 11 from 2-6pm, United Hollywood and Strike Swag invite all members of the United Hollywood community to be photographed for a PR campaign to promote the new United Hollywood site.

The concept of the campaign is to show writers, actors, directors, crew, staff and fans standing united to meet the challenges of the digital present. That's right, the challenges of now.

The WGA just announced a new picket event, Bring an Actor Friend to the Line Day, for Tuesday, December 11. I like this event idea. SAG and the WGA have been partners in this from the beginning, and actors have been joining our picket lines every day of the strike. But the focus of this day is a little bit different.

Strike TV is an Internet fundraiser. It's an online "channel" featuring original video shows created by working professionals in the TV and Film Industry. These shows are self-funded and owned by their creators. Funds raised by ad revenue will go toward the Writers Guild Foundation Industry Support Fund, assisting union directors, actors and below the line members who are affected by the strike.

Jamie Masada has offered to host a weekly show at the Laugh Factory (8001 W Sunset Blvd at Laurel, 323-656-1336) to benefit the Writers Guild Foundation Industry Support Fund. The first show will be held tomorrow, Wed. Dec. 19 at 10pm. Entrance to the show is free for anyone who makes a contribution to the Fund. Checks made out to the Writers Guild Foundation will be accepted at the door. The shows will continue for the duration of the strike. Donations of new toys and/or new winter clothing will also be accepted and distributed to those affected by the strike.

(We want to welcome SAG Member Justine Bateman as a regular contributor to United Hollywood. We hope to continue opening the site up to more voices from SAG and other unions. Justine reminds us that this fight belongs to all of us. We're all on the same page.)

Attention all SAG Actors:

I believe it's appropriate at this time to call all actors into action in support of the Writer's Guild on strike.
I know many of us have been walking the picket lines and attending the rallies, but I want to challenge ALL SAG members to see if they can commit an HOUR-A-DAY to walking the picket lines.
The AMPTP has been jerking the Writer's Guild around.
1. They offered nothing but insulting Roll-Backs to the WGA in the negotiations that caused the strike.

This article was submitted by WGA member Michael Arkof. It runs today in Writers: On The Line, a weekly print newsletter distributed at picket locations.
AND A CHILD SHALL READ THEM

Sabrina Batchler didn’t write the book on supporting the WGA strike, but she is reading one. Lots of them, actually. The eleven year-old is conducting a Read-a-thon to raise money for the Writers Guild Foundation, to

UH News
• Contract Update from Verrone and Winship
• UH Live for 12/5

Upcoming Events
From the WGAw
THURSDAY, 12/6THREE GENERATIONS OF WGA MEMBERS: Sherwood Schwartz, (creator of "Gilligan's Island" and "The Brady Bunch"), his son Lloyd, (writer and producer of "The Brady Bunch" feature films and many television comedies), and Lloyd's son Andy, a story editor on "Scrubs" -- will picket together at the main gate of CBS Radford from noon until 1 p.m. Sherwood Schwartz, 91, was a founding member of the Television Writers of America, which merged with screenwriters to become the WGA.

Hey, folks. Long time no blog. But I just had to add something to the WGA official response to this lovely piece of... disinformation.

As per AMPTP President J. Nicholas Counter III today:

"The WGA is using fear and intimidation to control its membership. Asking members to inform on each other and creating a blacklist of those who question the tactics of the WGA leadership is as unacceptable today as it was when the WGA opposed these tactics in the 1950s."

La Bruschetta – 1621 Westwood Blvd., 310/477-1052

Owner Angelo Peloni is repeating an offer he made to WGA members 20 years to celebrate the end of the last strike!!

Sunday lunch is on Angelo. He is offering a free lunch on Sunday 2/17 from 12-3 for WGA members – please show your card. You may want to call and make a reservation. Talk about a loyal supporter!

At today’s Los Angeles City Council meeting, over 300 writers and supporters came to hear Councilmember Eric Garcetti speak to the City Council about the writers strike, and the need to bring the AMPTP back to the table so negotiations can resume.
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The AMPTP did not bother to send a representative, apparently feeling that the $20 million a day damage to the Los Angeles economy is more the City Council's problem than theirs.

Garcetti introduced an emergency motion asking for both parties to resume bargaining, and to come to a just and fair deal as quickly as possible. He also pointed out that the writers are still at the bargaining table, ready to negotiate, and called specifically on the AMPTP to return as well.