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AMPT?

Independent producers are not the final "P".
Over 80 producers, in a letter to the LA Times, have asked the press to correct and clarify the use of the term "producer" when referring to the AMPTP.

In their closing paragraph they state:
"It serves the studios’ interests to pretend to represent individual producers instead of corporate entities. We would ask that you, as responsible members of the media, stop abetting this charade and call upon your reporters to cease equating independent producers (who are not negotiators or direct stakeholders in this process, and the vast majority of whom side with the writers) with international conglomerates."

In a companion letter to Nikke Finke's Deadline Hollywood Daily Vance Van Petten, Executive Director of the PGA (Producers Guild of America) also asks for a clear separation.

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  • The following is an excerpt of a letter I received from Jay Kogan just prior to the holidays. Three weeks later everything he wrote has either come to pass or still holds true. To read the letter in its entirety click here. And be sure to check out the video Jay shot called, "As Long As It Takes."

    The strike, which could have been avoided if the producers wanted to actually negotiate, has

  • The California Democratic Party is officially on record as supporting the WGA's strike action. Stating in their resolution:

    WHEREAS, the Association of Motion Picture and Television Producers (AMPTP) has refused to recognize the legitimate claims of the approximately 12,000 members of the Writers Guild of America (WGA) to fair remuneration through residuals on the distribution of its members’ creative endeavors on any current distribution platforms and those yet to be developed, including the monitoring and enforcement thereof; and

  • (News Release from the Writers Guild of America)

    Hundreds of Screen Actors Guild Members Join Picket Lines Outside Universal Studios

    on Day Nine of WGA Strike

  • SCI FI CHANNEL DAY FOR FANS & WRITERS:
    Jaime Paglia, co-creator of "Eureka" is inviting fans to join the writers, producers and cast members from Sci Fi Channel's BATTLESTAR GALACTICA, EUREKA, FLASH GORDON, PAINKILLER JANE, and others for a rally at NBC Studios.

    12 noon - 2 pm at NBC STUDIOS, 3000 W. Alameda Ave, Burbank, CA.

    SPOOKY WEDNESDAY AT WARNER BROS:
    For the last two Thursdays writers

  • (The following is a post from WGA member Kevin Droney. The man made it through the '88 strike, and he knows his facts and figures.)

    Why Production Crews Should Be Cheering On the Writers

    I’ve talked with a few IA guys over the past few days, and they were generally unaware of a few things in their own contracts with the Alliance. To whit:

    1) Their unions, including I.A.T.S.E., IBT Local 399, Studio Utility Employees Local 724, IBEW Local 40, Plumbers & Pipefitters Local 78, and the Plasterers & Cement Masons Local 755… ALL RECEIVE RESIDUALS.
    2) These residual payments go directly into their PENSION AND HEALTH FUND.
    3) RESIDUALS earned working on shows CONSTITUTE 55% OF THEIR P & H.
    4) If there are funding surpluses from residuals, retirees receive a 13th and a 14th check in that year, instead of the normal twelve.

  • I read this morning (courtesy of a link through Joy of Sox) that the agents of disgraced former future Hall of Famer Roger Clemens have been contacted by the producers of the newest Fox reality show, "The Moment of Truth" to come on their show and be hooked up to a lie detector about his alleged steroid use.

    Here is a real chance for Clemens to prove his innocence in front of the world and take a polygraph test. (The show puts contestants on the show and hooks them up to a polygraph and has their friends and relatives in the audience.) The producers have said they will donate $500,000 to the charity of Clemens' choice if he comes on the show.

    Here's more on the story, from TMZ.com: http://www.tmz.com/2008/01/25/is-clemens-ready-for-his-moment-of-truth/

  • This letter was just sent out to SAG members by Doug Allen (Executive Director and Chief Negotiator) and Allen Rosenberg (President). Emphases in red are from us at UH -- LK.

    Dear SAG Member:

    Everyone hopes the WGA strike will end with a fair deal for the writers. There has been much speculation about the impact on the WGA strike of the tentative agreement between the Directors Guild of America

  • December 16, 2007

    Dear Writers Guild of America Members,

    I am writing to you on behalf of 120,000 proud members of Screen Actors Guild who stand with you in solidarity as your strike continues. We believe that now more than ever, we must remain strong and even more committed to achieving our common objectives. We are proud to walk shoulder-to-shoulder with you and SAG will be there for as long as it takes.

    Your fight is our fight. Our National Executive Director Doug Allen and I are working around the clock with Patric Verrone and David Young to coordinate our strike support efforts. I'm sure you have seen some of the thousands of Screen Actors Guild members who've been walking the picket lines in Los Angeles, New York and around the country for the last six weeks.

  • (From WGA Member Ed Decter.)

    I was walking the picket line with a young television writer who worked on THE UNIT. He was explaining to me that David Mamet always asks three things about a scene:

    1. What does each character want?
    2. Why now?
    3. What happens if they don't get it?

    Since I don't have an MBA, CPA, JD or any other degree my father wanted me to get, the only way I can look at our current labor situation is through the eyes of a screenwriter. If I was writing a screenplay, let's call it "The Big Strike of 2007," and the two main characters were the WGA and the AMPTP, before I would start writing I might ask myself the three Mamet questions. When thinking about the WGA "character" things seem very clear:

    What does the WGA want?

  • As the strike continues and things heat up around the DGA negotiations, apparently the multi-national media mega-corps and their $100K a month crisis management flaks are ramping up their online psy-ops and misinformation campaigns.

    Deadline Hollywood Daily, in a post detailing a range of less than savory actions taken by AMPTP members against WGA supporters, reported that "AMPTP staffers,

  • (Nick Counter and the AMPTP (The Media Moguls) paid for an expensive ad in yesterday's "Variety" -- for those of you who don't work in the industry, "Variety" is an entertainment business magazine that is in the pocket of the Media Moguls.

    For further information on "Variety's" biased reporting, check out Nikke Finke's post.

    Since we don't have tons and tons of money like the Media Moguls do, we'll have to respond here - on the Internet - which they don't entirely own and control ( but they sure would like to).

  • The strike is over. The WGA contract has been ratified. SAG and AFTRA are now center stage and there is still a lot of work to do before the town gets back to normal. At this moment it's useful to look back at our own history. There are lessons to be learned about how the process can move forward even against what seems like overwhelming odds.

    There are many who labored behind the scenes to support the writers' strike. At United Hollywood we worked with people who put their energy on the line but wanted to stay off the media's radar. Not content to just talk a good game, these are members and supporters who knew that if they wanted to make a difference, they had to work at it.

    One group in particular came of age during the early part of the strike: the writer-directors. Nicknamed the WD-40, forty writer-directors met to search for ways they could help facilitate the negotiation.

    From the beginning of the strike, most journalists accepted the AMPTP's lead and described the DGA and WGA as antagonistic to one another. Nicholas Counter was frequently quoted in the trades as preferring the DGA as a negotiating partner. The writer-directors objected to that characterization and felt that the AMPTP was doing what it always did in positioning the Guilds against one another to diminish each union's power.

  • Will 1+1 someday = 2?

    The WGA, the Teamsters and California State Senator Sheila Kuehl have just announced the introduction of the "Fair Market Value Bill." The bill seeks to prevent studios from selling programming to sister companies for below market value. This particular strain of Hollywood accounting is designed to shift profits away from the studios (where they must be shared with talent and producers and serve as a basis for pension and health contributions) to networks, where they may be enjoyed without the pesky need to pay one's "partners."

    Press release below. We'll have more soon on the bill in particular and Hollywood skulduggery in general.

    And if you're a studio accountant or lawyer looking to go all Michael Clayton on the Big Six, send us a tip or a post.

    NEW BILL TAKES AIM AT HOLLYWOOD ACCOUNTING

    California State Senator Sheila Kuehl Introduces Bill to End the Practice of Selling Television Series and Films for Less Than Fair Market Value

    Los Angeles and Sacramento – California State Senator Sheila Kuehl (D-Los Angeles) has introduced Senate Bill 1765, the "Fair Market Value Bill," to end the practice by some major studios and networks of “underselling” television series or movies.

  • Here's the press release that just went out:

    THE WEINSTEIN COMPANY AND THE WRITERS GUILD OF AMERICA ANNOUNCE INDEPENDENT AGREEMENT

    NEW YORK, NY and LOS ANGELES, CA – (January 11, 2008) – The Weinstein Company (TWC) and the Writers Guild of America (WGA) announced today that they have signed a comprehensive independent agreement. While the details are not being disclosed, the deal addresses the

  • Will 1+1 someday = 2?

    The WGA, the Teamsters and California
    State Senator Sheila Kuehl have just announced the introduction of the
    "Fair Market Value Bill." The bill seeks to prevent studios from
    selling programming to sister companies for below market value. This
    particular strain of Hollywood accounting is designed to shift profits
    away from the studios (where they must be shared with talent and
    producers and serve as a basis for pension and health contributions) to
    networks, where they may be enjoyed without the pesky need to pay one's
    "partners."

    Press release below the break.  We'll have more soon on the bill in particular and Hollywood skulduggery in general.

    And if you're a studio accountant or lawyer looking to go all Michael Clayton on the Big Six, send us a tip or a post.

    NEW BILL TAKES AIM AT HOLLYWOOD ACCOUNTING

    California
    State Senator Sheila Kuehl Introduces Bill to End the Practice of
    Selling Television Series and Films for Less Than Fair Market Value

  • To Our Fellow Members:

    Yesterday, the WGAW and WGAE presented to the AMPTP a response to its proposal on streaming television programs.

    We accepted the framework in their proposal of last Thursday for a fixed residual in the first year.

    But rather than basing the residual for the entire first year on a small percentage of the applicable minimum, we proposed that the fixed residual be paid on a higher percentage of applicable minimum for each 100,000 streams per quarter.

    This is a readily ascertainable number. In fact, the companies are already keeping records of streams for their advertisers. Both the advertisers and the companies are already using these numbers as the basis for their business model.

  • This media advisory was just sent out by the WGA:

    The Writers Guild of America will hold a press conference today, Sunday, Feb. 10, 12 Noon PST, at WGAW headquarters to update the media on important developments related to contract negotiations between the WGA and the AMPTP companies.

    Scheduled to appear: WGAW President Patric M. Verrone, WGAE President Michael Winship (available via phone line

  • This was submitted by WGA member Christopher Trumbo, member for 40 years, and son of WGA member Dalton Trumbo. His insights into the history of the guild are especially valuable now, as the strike continues and the AMPTP tries to divide us.

  • The following two WGA press releases were sent to media today to announce that Lionsgate and Marvel Studios have both signed interim agreements with the Writers Guild.

    LIONSGATE SIGNS INTERIM AGREEMENT WITH WRITERS GUILD

    LOS ANGELES – Leading independent filmed entertainment studio Lionsgate is the latest company to sign an interim agreement with the Writers Guild of America. The company is one

  • Below is the latest Strike Life video, a series of improvised shorts performed by WGA members and produced by WGA members, Chris Nolan and Laurie Nolan. Since the internet is the center of the current WGA labor strike against the Alliance Of Motion Picture & Television Producers – what better place to tell our side of the story.

    See all the Strike Life videos at StrikeLife.net.

  • On this Turkey Day, the writers of United Hollywood wish to extend our thanks to everyone across the world who has offered so much help, support and encouragement. We invite you all to watch "Speechless," a new campaign featuring dozens of actors who want to see creative talent get a fair deal. "Speechless" will run exclusively at Nikki Finke's Deadline Hollywood Daily through the Thanksgiving weekend. Three new videos are scheduled each day. Read the full press release here.

    And we hope you'll find this video from Tuesday's labor solidarity march as inspiring as we do.

  • (We want to welcome SAG Member Justine Bateman as a regular contributor to United Hollywood. We hope to continue opening the site up to more voices from SAG and other unions. Justine reminds us that this fight belongs to all of us. We're all on the same page.)

    Attention all SAG Actors:

    I believe it's appropriate at this time to call all actors into action in support of the Writer's Guild on strike.
    I know many of us have been walking the picket lines and attending the rallies, but I want to challenge ALL SAG members to see if they can commit an HOUR-A-DAY to walking the picket lines.
    The AMPTP has been jerking the Writer's Guild around.
    1. They offered nothing but insulting Roll-Backs to the WGA in the negotiations that caused the strike.

  • (WGAw President Patric M. Verrone released the following statement a short time ago)

    December 13, 2007

    To My Fellow Members:

    The AMPTP and each of its member companies have a legal obligation to bargain in good faith with the WGA. Their unilateral walkout from negotiations last Friday and their on-going refusal to bargain is illegal under the National Labor Relations Act. Therefore the WGA today filed Unfair Labor Practice charges against the AMPTP with the National Labor Relations Board.

    The DGA’s announcement today that it may begin negotiations with the AMPTP in January in no way relieves the AMPTP of their legal obligation to negotiate with us. The only legal way for the AMPTP to remedy the Unfair Labor Practice charge we have filed is to return to the bargaining table.

  • From Free Press:

    The Federal Communications Commission approved new rules that
    will unleash a flood of media consolidation across America. The
    new rules will further consolidate local media markets -- taking
    away independent voices in cities already woefully short on
    local news and investigative journalism.

    Congress has the power to throw out these rules -- and if
    100,000 people demand it, they'll have to listen. Click on the
    link below to sign the open letter to Congress urging them to
    stop the FCC and stand with the public interest.

    http://action.freepress.net/campaign/sbmopenletter/

  • This letter is from Phil Nutman & Jason Dolan. -JA

    Dear fellow WGA members and supporters:

    Further to previous discussions, we can now confirm that the Writers Guild of America members in Georgia have been formally invited to participate in next Monday's Martin Luther King Day parade and rally.

    As this is the 40th anniversary of the King Day Parade, the Writers Guild of America is proud and

  • col-lu-sion [kuh-loo-zhuhn]

    secret agreement or cooperation between two or more parties for a fraudulent, illegal, or deceitful purpose

    The New York Times reported that David Letterman is pursuing an interim agreement with the WGA that would allow his late-night talk show back on the air, even if the strike is still ongoing. As the Times article linked above states, "that could potentially put Mr. Letterman at an enormous advantage over most of his late-night colleagues."

  • As announced on Deadline Hollywood Daily:

    speechless

    Actors, writers and directors coming together in solidarity. For more info, check out Deadline Hollywood Daily.

  • This was sent to membership Friday night, asking for patience as the WGA assesses the deal and moves foward with the AMPTP:

    To Our Fellow Members,

    As you know, the Directors Guild announced yesterday that it has reached a tentative agreement with the AMPTP. We are waiting for the full terms of the deal to be made available so that we can carefully analyze and evaluate the language and numbers.

  • (Breaking news from the WGA - the AMPTP has agreed to come back to the table on November 26th. Now, let's hope they are prepared to make a fair deal. This is progress. Everyone wants to go back to work. Everyone wants fair compensation for their work.)


    FOR IMMEDIATE RELEASE

    November 16, 2007

  • LOS ANGELES – The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) have issued the following statement regarding Contract 2007 negotiations:

    “The Writers Guild has reached a binding independent agreement today with Worldwide Pants that will allow Late Night with David Letterman and The Late Late Show with Craig Ferguson to return to the air with their full