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AUSTRALIAN WORKERS’ UNION SUPPORTS THE STRIKE

WGA Press release from yesterday:

Los Angeles – Paul Howes, national secretary of the 135,000-strong Australian Workers’ Union, joined striking writers on the picket line in front of Fox Studios today in Los Angeles. In California for various meetings, Howes asked to meet with the WGA and discuss mutual labor issues.

“The AWU is one of Australia’s largest and most influential labor unions, and

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  • Today, Tuesday, 11/20/07, Los Angeles will experience a labor rally in support of the WGA strike. Marching west on Hollywood Boulevard from Ivar and gathering in front of Grauman's Chinese Theater, thousands upon thousands will join together to celebrate the importance of labor unions in American life.

    And how will you know about this momentous occasion? You'll have to be there.

    At the last rally in front of Fox Studios, 4,000 writers and their supporters marched and rallied, but when you watched the evening news, you'd never know it . There was plenty of time that night to talk about lost kittens but nothing about the peaceful march that closed down Pico Boulevard and Avenue of the Stars.

    Today's rally marks a crucial juncture: a mass demonstration of our strength before the negotiations restart.

  • Jane Hamsher at FireDogLake reports that Fabiani & Lehane, the formerly-Democratic PR firm, has been canned by SEIU Local 99 and will have lost all of its union clients by week's end. From Jane's post:"By the end of the week, I believe Chris Lehane will have no union clients because of his work for the AMPTP," says SEIU President Andy Stern, who confirms that all Change to Win Unions are severing ties with Lehane. "His days are numbered in the labor movement." ... Change to Win unions include the Teamsters, Laborers, SEIU, Carpenters & Joiners, United Farm Workers, Food and Commercial Workers, and UNITE HERE.

  • Oscar-winning cinematographer Haskell Wexler released this statement in the wake of IATSE president Tom Short's letter to Patric Verrone, president of the WGA. Wexler is a legend, and when he evaluates the state of our unions, he does so with authority. Without minimizing the difficult decisions that everyone faces in a strike, we found this note stirring and wanted to share it. -JA I walked the WGA picket line along with 6000 film workers demonstrating in front of Fox Studios.

    The spirit I saw in that demonstration is exciting to me, it gives me hope. These strikers are resisting further concessions, concessions which compromise all our futures.

    I caught the eye of a couple of grips and electricians driving through the line. Although I understand why our guys go through the line, it saddens me.

  • Tim Lea wrote an email which Mike Royce and Steve Skrovan made us aware of. We’ve excerpted his analysis of the strike to highlight his truly inspired perceptions.

    Hey all --

    So the AMPTP has responded. Four days of 'meetings', and the resulting offer is a strange hybrid of calculated low-balling, contempt and picaresque fantasy that would better become a Voltaire novel than an early 21st-century labor negotiation.

  • (News Release from the Writers Guild of America)

    Hundreds of Screen Actors Guild Members Join Picket Lines Outside Universal Studios

    on Day Nine of WGA Strike

  • In 1988, Joan Didion wrote an essay on the writers' strike. There's a link to a pdf version at los angeles daze -- it's a must-read.

    Agree or disagree with how this strike has been waged, she puts her finger on realities that sound eerily familiar, 20 years later -- and on some key differences as well.

    Most importantly, the Union Blues writers that she talks about, who broke the back of the '88

  • Below is an op-ed piece from Wednesday's Los Angeles Times.

    Stopping the cash flow will strengthen the writers' case, not cutting deals.

    January 9, 2008

    We get the impression, in this third month of the Hollywood writers strike, that morale on the picket lines and in the coffee shops isn't so hot. That's odd, given how strong the writers are looking right now.

    With the downfall of the Golden

  • Will 1+1 someday = 2?

    The WGA, the Teamsters and California State Senator Sheila Kuehl have just announced the introduction of the "Fair Market Value Bill." The bill seeks to prevent studios from selling programming to sister companies for below market value. This particular strain of Hollywood accounting is designed to shift profits away from the studios (where they must be shared with talent and producers and serve as a basis for pension and health contributions) to networks, where they may be enjoyed without the pesky need to pay one's "partners."

    Press release below. We'll have more soon on the bill in particular and Hollywood skulduggery in general.

    And if you're a studio accountant or lawyer looking to go all Michael Clayton on the Big Six, send us a tip or a post.

    NEW BILL TAKES AIM AT HOLLYWOOD ACCOUNTING

    California State Senator Sheila Kuehl Introduces Bill to End the Practice of Selling Television Series and Films for Less Than Fair Market Value

    Los Angeles and Sacramento – California State Senator Sheila Kuehl (D-Los Angeles) has introduced Senate Bill 1765, the "Fair Market Value Bill," to end the practice by some major studios and networks of “underselling” television series or movies.

  • (This just in from the WGA... I've heard similar sentiment from friends and family all over the nation. The temperature I'm reading -- the whole country is fed up with corporate conglomerates caring only about the bottom line, and not about the welfare of their workers.)

  • This was sent out today by the WGA:

    LOS ANGELES and NEW YORK – The membership of the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) today voted overwhelmingly in favor of lifting the restraining order and ending their 100-day strike that began on Nov. 5. 3,775 writers turned out in Los Angeles and New York to cast ballots or fax in proxies, with 92.5% voting

  • (This was emailed to Captains by the WGA.)
    California State Senator Sheila Kuehl (D-Los Angeles) introduced Senate Bill 1765, the "Fair Market Value Bill," to end the practice by some major studios and networks of “underselling” television series or movies. Since the major media networks in the United States have come to own many cable channels, the practice of selling TV series or movies for less than the fair market value of the content has become more and more prevalent.

    "The WGA West wholeheartedly supports this bill and we applaud Senator Kuehl for authoring it," said Patric M. Verrone, president of the Writers Guild of America, West. "This important piece of legislation will help ensure reliable accounting among the major Hollywood studios so that creative talent and all entertainment employees that rely on residuals will be fairly compensated for the contributions they make to the industry." Read entire press release here.

  • Will 1+1 someday = 2?

    The WGA, the Teamsters and California
    State Senator Sheila Kuehl have just announced the introduction of the
    "Fair Market Value Bill." The bill seeks to prevent studios from
    selling programming to sister companies for below market value. This
    particular strain of Hollywood accounting is designed to shift profits
    away from the studios (where they must be shared with talent and
    producers and serve as a basis for pension and health contributions) to
    networks, where they may be enjoyed without the pesky need to pay one's
    "partners."

    Press release below the break.  We'll have more soon on the bill in particular and Hollywood skulduggery in general.

    And if you're a studio accountant or lawyer looking to go all Michael Clayton on the Big Six, send us a tip or a post.

    NEW BILL TAKES AIM AT HOLLYWOOD ACCOUNTING

    California
    State Senator Sheila Kuehl Introduces Bill to End the Practice of
    Selling Television Series and Films for Less Than Fair Market Value

  • (The following is from WGA Member Joshua Beckett regarding the SEIU Rally that took place in downtown LA this past Thursday.)

    Just wanted to brief those of you who missed the SEIU rally today. It was heartfelt...and loud!! There were many, many WGA members there -- it looked like there were almost as many WGA folks as SEIU marchers! And what a great feeling that was! Truly.

  • (The following is a post from WGA member Kevin Droney. The man made it through the '88 strike, and he knows his facts and figures.)

    Why Production Crews Should Be Cheering On the Writers

    I’ve talked with a few IA guys over the past few days, and they were generally unaware of a few things in their own contracts with the Alliance. To whit:

    1) Their unions, including I.A.T.S.E., IBT Local 399, Studio Utility Employees Local 724, IBEW Local 40, Plumbers & Pipefitters Local 78, and the Plasterers & Cement Masons Local 755… ALL RECEIVE RESIDUALS.
    2) These residual payments go directly into their PENSION AND HEALTH FUND.
    3) RESIDUALS earned working on shows CONSTITUTE 55% OF THEIR P & H.
    4) If there are funding surpluses from residuals, retirees receive a 13th and a 14th check in that year, instead of the normal twelve.

  • (The following is from Teamster Member, John Jabaley. The opinions expressed are not the IBT's point of view, but John's.)

    Where I grew up in the deep south in the 1970's, union was a dirty word. Even in my family, conspicuously liberal (in our neighborhood, at least) for our attendance of public schools, unions were considered a way for workers to loaf on the job without being punished. Coming from the management side of the equation, most people I knew were happy they didn't have to deal with workers who stuck together.

    I sailed through childhood with this belief essentially unchallenged.

  • (From WGA Member Joss Whedon, originally posted on Whedonesque)

    We're a week away from Mutant Enemy Picket day! Since the AMPTP have generously offered us a thimble of sputum in exchange for everything written ever, I think it's fair to say it won't be a picnic.

    And in two weeks, I'll be in Boston, speechifying (look for some long, fancy words, yo) and rallying shoulder to shoulder with, among other people, my dad, who somehow lived through both the '88 strike and my adolescence. Word. (Long fancy.)

  • (WGAw President Patric M. Verrone released the following statement a short time ago)

    December 13, 2007

    To My Fellow Members:

    The AMPTP and each of its member companies have a legal obligation to bargain in good faith with the WGA. Their unilateral walkout from negotiations last Friday and their on-going refusal to bargain is illegal under the National Labor Relations Act. Therefore the WGA today filed Unfair Labor Practice charges against the AMPTP with the National Labor Relations Board.

    The DGA’s announcement today that it may begin negotiations with the AMPTP in January in no way relieves the AMPTP of their legal obligation to negotiate with us. The only legal way for the AMPTP to remedy the Unfair Labor Practice charge we have filed is to return to the bargaining table.

  • The AMPTP walked away on Friday. The WGA never left the table.

    The Guild has made itself crystal clear: Specific proposals have been detailed, compromises have been made, the leadership continues to be engaged in a constructive dialogue to quickly resolve the strike. The AMPTP is as clear about its position: You can't talk to writers because they're emotional and don't understand business.

    With the AMPTP away from the table, the negotiation is playing out in the press. If you read Dave McNary in Variety today, there's only one answer to the impasse: the WGA has to accept the companies' demands and get back to work. The companies are too powerful, with their deep pockets and experienced PR resources. The writers' are too emotional, which is great when they're writing screenplays, but not good when you're engaged in a difficult labor negotiation.

  • BALTIMORE:
    Photo from Associated Press: Actors Sonja Sohn (left) and Jeffrey Pratt Gordon (center) from the TV show "The Wire" joined striking screenwriter Rafael Alvarez at a Writers Guild protest yesterday in Baltimore.

    WGAe employee Karen Young sent us links to articles from the Washington Times and the Baltimore Sun about the picket in Baltimore - attended by members from many different

  • The following two WGA press releases were sent to media today to announce that Lionsgate and Marvel Studios have both signed interim agreements with the Writers Guild.

    LIONSGATE SIGNS INTERIM AGREEMENT WITH WRITERS GUILD

    LOS ANGELES – Leading independent filmed entertainment studio Lionsgate is the latest company to sign an interim agreement with the Writers Guild of America. The company is one

  • At today’s Los Angeles City Council meeting, over 300 writers and supporters came to hear Councilmember Eric Garcetti speak to the City Council about the writers strike, and the need to bring the AMPTP back to the table so negotiations can resume.
    <>
    The AMPTP did not bother to send a representative, apparently feeling that the $20 million a day damage to the Los Angeles economy is more the City Council's problem than theirs.

    Garcetti introduced an emergency motion asking for both parties to resume bargaining, and to come to a just and fair deal as quickly as possible. He also pointed out that the writers are still at the bargaining table, ready to negotiate, and called specifically on the AMPTP to return as well.

  • The last day of official picketing ended with a high point at Fox.

    Writers were joined on the picket line by many supporters. The honking at the Pico gate reached new decibel levels as crowds of picketers filled the sidewalk and waved their signs at the passing traffic.

    The signs told the story: "WGA-DGA-SAG", "The House is Not Divided," "DGA-WGA Member," "Union Solidarity".

    The appearance of so many SAG and DGA members made the point that even though the AMPTP spin machine works hard to create the impression that there is dissension between the unions and in the ranks of the WGA, the opposite is true.

    Of course the strike has created tensions. How could it not?

    There should be tensions when so much is at stake and so much has been sacrificed in the fight with the congloms. But our common interests outweigh that tension, and our solidarity is real.

  • This press release was sent out by Strike TV. Interested in competing? Let them know! -JA

    Writers to Shoot Over 30 Episodes of 4 Game Shows in Less Than 12 Hours

    Los Angeles, CA (2/5/2008) - Some talk shows and game shows shoot five episodes in a day. Some might even try to shoot six or seven. But Sunday, February 10, will be a day like no other when writer/producer Rick Rosner and director/

  • This is excerpted from the email that Warners strike captain Brian Hartt sent to other captains this week, with permission. Brian is an Emmy-nominated writer who coordinates all of the Warners picket teams, as well as being the showrunner on Mind of Mencia who helped get 4 West Coast and 2 East Coast shows on Comedy Central covered by the WGA contract . His tireless work and dedication are inspiring.

    As I'm sure you all know, the AMPTP walked away from the table Friday.

    You all should have, by now, gotten John Bowman's response to the "nice try" press release by the company's lap dog. Let me stress something that John mentioned - their press release came out minutes after they walked away.

  • Last week, State Senator Sheila Kuehl introduced a bill in the California Senate that protects all entertainment union workers.  Below, WGAw Secretary-Treasurer Elias Davis explains the bill and asks the members of all entertainment-industry unions to support it by sending an email to its sponsors in the California State Assembly. 

    Over the past few years a number of TV show creators have brought suit against major studios in cases where the studios have sold TV series to companies owned by the studios themselves. The reason for the suits is simple - because of self-dealing, these shows have been sold for far less money than they could have brought in had they been offered for sale on the open market.

  • In nominating the WGA for "worst supporting union," the AMPTP's PR machine revealed its newest tactic: snarky bitchery! A reader replied in kind and sent us this:

  • Presidential candidate Mike Huckabee, who has actively sought union support during his campaign, crossed WGA picket lines outside NBC studios in Burbank Wednesday in order to appear on the Tonight Show, all while offering several (often lame) excuses for his actions.

    Before heading to LA for his appearance yesterday, according to the AP, Huckabee told reporters traveling with him that he

  • Today, members of the SEIU (Service Employees International Union) joined the writers in picketing "The Riches". Many SEIU members are planning to march on Tuesday in the Union Solidarity rally. We're all on the same page.

  • (Breaking news from the WGA - the AMPTP has agreed to come back to the table on November 26th. Now, let's hope they are prepared to make a fair deal. This is progress. Everyone wants to go back to work. Everyone wants fair compensation for their work.)


    FOR IMMEDIATE RELEASE

    November 16, 2007

  • Over at HuffPo, writer-director John Sayles gives an interview with Bob Eisele about unions, the entertainment industry, the strike and how the changing world of Internet delivery is intersecting with the consolidation of huge corporations:What we have today are fewer unionized workers, especially if you don't count public service workers, than you've ever had before. And the movie industry is