Bargaining 101

(The following is from Teamster Member, John J

This comes from John Jabaley, a UH contributor and Teamster.

I was at a Christmas party the other night, the kind we have down South where you see three generations of one family that you’ve known forever and you eat cheese straws and roast beef and sushi. (We’re getting cosmopolitan down here.)

Everybody and their brother asked about the strike. The big question was this: Did the late night

(We want to welcome Teamster Member John Jabaley as a regular contributor to United Hollywood, and we hope to continue to add voices and perspectives from all unions.)

The following was submitted by SAG board member and regular U.H. contributor Justine Bateman.

Remember how at the beginning of the WGA's negotiations, the CEOs made a threat about getting rid of residuals? Well, by my reading, the DGA deal does that for TV.

Are you ready to trade an entire year's worth of TV residuals for a one-time fee of $1,200?

Currently, writers and directors both make

This was submitted by Thania St. John, WGA member since 1988. For some additional historical context, we recommend also reading this post from Michael Russnow.
There was a green envelope in the mail Friday. A good one. Good enough to take away a little of the sting. But after my husband and I rejoiced for a moment, we realized how much larger that check would’ve been if the show that I now

SAG Board member and regular U.H. contributor Justine Bateman sends this open letter to all WGA members. -JA

To the WGA membership,

As you prepare to examine the proposed deal points and assemble for your meeting tonight, if the decision is made to continue striking, I will see you on the lines Monday. If you decide to recommend the deal to the membership at large for a vote and it is ratified,

This was submitted by Phil Alden Robinson, writer-director-producer, and member of both the WGA and the DGA.

While we anxiously await the results of the "informal talks", I've been doing some hard thinking about the DGA deal. There's quite a bit in there to be pleased with - deal points that should serve us well in the future, and that never would have been achieved without our strike. But there

Patric Verrone and Michael Winship just sent this message to the membership. The WGA is determined to stay at the table until we have a deal. If the AMPTP wants to negotiate in good faith, and end the strike, we are at the table.

Dear Fellow Members,

John McNamara sent this letter to leadership, and submitted it to us to reprint. McNamara is a TV writer/producer whose credits include The Adventures of Brisco County, Profit, Lois & Clark, Vengeance Unlimited, The Fugitive, Eyes and Jericho.

He is currently writing haiku.

On January 14th, my overall deal at CBS/Paramount was terminated. So this is actually my two cents... plus hundreds of

This was submitted by WGA and DGA member Joss Whedon.

Dear Writers,

I have good news. I have lots of good news. In fact, I have way too much good news.

The strike is almost over. A resolution is days away. Weeks. Friday. Valentine's day. Two weeks exactly from whenever my manager/agent/lawyer told me. Yes, after talking to writers and actors all over town, I'm happy to report that the strike

The following was submitted by WGA member and long-time "Simpsons" writer Mike Scully. -JA

To My Fellow WGA Members,

Opinions regarding how writers should react to the DGA/AMPTP agreement seem to fall into two camps: “It’s a good deal! Take it!” or “It’s a terrible deal! Reject it!” I believe there are also many writers who fall into the “Undecided” category, so at the risk of showing off

This was submitted by WGA member Michael Seitzman, who is currently blogging on Huffington Post as well.

I read news today of Writers Guild member John Ridley's decision to go Financial-Core to protest the Writers Guild strike. I was angry and dismayed and my original post on the issue was full of that vitriol. I thought an edit was in order so as not to let the message to get lost in a war of