The Initial Streaming Window

The Initial Streaming Window

This was submitted by WGA member and StrikeSwag founder Tom Smuts. Based on blog comments and conversations I've had, many members seem to think that the so-called "Initial Streaming Window" is just another way for the Companies to screw the Writers. It isn't. Not in principle, anyway. In principle, it's a way for the Companies to capture some of the audience that would have watched the show
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  • From the emails we are receiving, there is no point in the proposed contract more controversial than the provision on ad-supported streaming. The two emails below were originally submitted to us unsolicited, but we have posted them together because they form such a useful point/counterpoint argument on this issue. See you in the comments! -JA

    ONLINE STREAMING TERMS: PROStatement by Christopher

  • Patric Verrone and Michael Winship just sent this message to the membership. The WGA is determined to stay at the table until we have a deal. If the AMPTP wants to negotiate in good faith, and end the strike, we are at the table. Dear Fellow Members,

  • To Our Fellow Members:Yesterday, the WGAW and WGAE presented to the AMPTP a response to its proposal on streaming television programs.We accepted the framework in their proposal of last Thursday for a fixed residual in the first year.

  • StrikeSwag.com - the non-profit site which donates all profits to the Writers Guild Foundation Industry Support Fund to assist non-WGA members of the industry who are in financial distress as a direct result of the strike - is out with its January 2008 line which Fashion Week boldly called "the black and white shield tee." This 100% cotton shirt a variant of the official WGA West strike shirt.

  • A letter from WGA Board Members that was sent this afternoon to members, with even more detail on the corporations' proposal. Fellow members:

  • UPDATED: We're bringing the post from yesterday to the top of the page -- but we also wanted to let you know what's on the agenda for today.

  • The following was submitted by WGA member and long-time "Simpsons" writer Mike Scully. -JA

    To My Fellow WGA Members,

    Opinions regarding how writers should react to the DGA/AMPTP agreement seem to fall into two camps: “It’s a good deal! Take it!” or “It’s a terrible deal! Reject it!” I believe there are also many writers who fall into the “Undecided” category, so at the risk of showing off

  • Ok, so we've finally got some answers from our sources. We'll have more as the day goes on, but here's the beginning of it:Why aren't the writers still in the room negotiating? Why are we waiting until Tuesday to continue?

  • By Ed Decter (WGA member, Pet Rock owner)

    Long ago, in the era before digital streaming and video on demand, I was one of those kids who saved his allowance and bought a Pet Rock. I remember my father putting on his bifocals to examine the cardboard box with the built-in handle, the little nest of straw and the egg-sized gray stone. My dad sighed then said, “The guy who thought of this is

  • Just wanted to mention this, after reading Phil Alden Robinson's piece:

    As someone who works almost exclusively as a screenwriter, here's why I reject the idea I hear often that "this is a TV writers strike."

    It's true that the streaming numbers don't affect screenwriters now -- but in the future, new means of delivering content, including movies, are going to be invented. Will we get 1.2% of

  • As Patric Verrone explained today, last Thursday, the AMPTP promised to offer up the second part of their "breakthrough" proposal. A week later, they still haven't added to the initial and unacceptable offer. The back channel conversations have only increased the widely-held impression that the AMPTP wants to prolong the strike.