For the last few weeks, television fans have been buying pencils to send to the media moguls – the heads of the six companies that make up the AMPTP – to demonstrate their support for the writers of their favorite TV series. Over 500,000 pencils have been purchased. On Tuesday, December 11 at 11:30 the pencils will start being delivered. The staging ground for this event will be Johnny Carson Park, located at 400 Bob Hope Drive in Burbank, just across the street from NBC.

Writers slated to appear include: Ronald D. Moore (Battlestar Galactica), Joss Whedon (Buffy, the Vampire Slayer, Angel, Firefly), Alfred Gough (Smallville), Miles Millar (Smallville), and others to be announced.

(From WGA Member Joss Whedon, originally posted on Whedonesque)

We're a week away from Mutant Enemy Picket day! Since the AMPTP have generously offered us a thimble of sputum in exchange for everything written ever, I think it's fair to say it won't be a picnic.

And in two weeks, I'll be in Boston, speechifying (look for some long, fancy words, yo) and rallying shoulder to shoulder with, among other people, my dad, who somehow lived through both the '88 strike and my adolescence. Word. (Long fancy.)

The WGA just announced a new picket event, Bring an Actor Friend to the Line Day, for Tuesday, December 11. I like this event idea. SAG and the WGA have been partners in this from the beginning, and actors have been joining our picket lines every day of the strike. But the focus of this day is a little bit different.

This was submitted by WGA member Michael Seitzman, who is currently blogging on Huffington Post as well.

I read news today of Writers Guild member John Ridley's decision to go Financial-Core to protest the Writers Guild strike. I was angry and dismayed and my original post on the issue was full of that vitriol. I thought an edit was in order so as not to let the message to get lost in a war of

Submitted by Thania St. John, WGA member since 1988. In his now-famous piece "Suicide by Strike," Marc Andreessen pointed out in November that by denying writers (and actors and directors) a fair share of New Media, the corporations were beginning the process of making themselves obsolete. Basically, he says it's a pretty bone-headed thing for them to do, all to save a few cents on the dollar. -

This was submitted by WGA member Robert Eisele, who was present for both the strike in 1985 and the longer strike of 1988.

"Those who cannot remember the past are doomed to repeat it."
-- George Santayana, 1905

In 1988, writers endured a strike of nearly six months. In 2008, we are now approaching the halfway point of the length of that strike.

Although most Guild members in ’88 stood strong

This article was submitted by WGA member Michael Arkof. It runs today in Writers: On The Line, a weekly print newsletter distributed at picket locations.
AND A CHILD SHALL READ THEM

Sabrina Batchler didn’t write the book on supporting the WGA strike, but she is reading one. Lots of them, actually. The eleven year-old is conducting a Read-a-thon to raise money for the Writers Guild Foundation, to

I hope everyone has started back on the path to "normalcy". I, for one, was happy to see writers embraced on The Daily Show and The Colbert Report. And both shows were the better for being written by their writing staffs.

When the strike started we heard a lot of talk about writers writing specs during the strike. But I actually don't know anyone who wrote a script during the past 3 months. Some

We're told that the long strike of 1988 had two far-reaching consequences: the audience discovered cable and reality shows grew in popularity.

What will be the legacy of the 2007 strike?

Hard to say. The negotiations are still ongoing. But one fact is abundantly clear even at this point.

Writers love the internet.

Given that the AMPTP was trying to control the internet, there is something ironic about the way writers have taken to the web as the place to try out ideas or vent or be funny about issues that can seem simultaneously enraging and arcane, like the DVD formula with its string of percentages: 1.5% (or 1.8%) of 20% of the studio’s gross on DVD sales.

By various accounts, after only a few weeks, striking writers and their supporters have put between 750 and 1,000 videos on YouTube.

Below is an op-ed piece from Wednesday's Los Angeles Times.

Stopping the cash flow will strengthen the writers' case, not cutting deals.

January 9, 2008

We get the impression, in this third month of the Hollywood writers strike, that morale on the picket lines and in the coffee shops isn't so hot. That's odd, given how strong the writers are looking right now.

With the downfall of the Golden

Tune in for another edition of the only show in Hollywood that actually hopes every broadcast is its last, United Hollywood Live (12 pm Pacific/3 pm Eastern).

Today's special guest will be writer Joss Whedon (Buffy the Vampire Slayer, Angel, Toy Story).

Join the live chat interface by CLICKING HERE (or by using the widget located along the right hand side of UnitedHollywood.com). The show,

We shouldn't get all misty-eyed at the revelation that the studios are happy the strike has happened.

Jeff Zucker picks up an easy $40 million by terminating overall deals. Peter Chernin is the face of reality when he boasts, "We save more money in..., you know, story costs and probably the lack of making pilots than we lose in potential advertising."

We shouldn't be surprised that a cable network told a tv-writer last week that her movie will go into production, but before they green light her project, they need the tiniest of rewrites before they green light. They know the WGA doesn't want her to do the work, but maybe she could 'supervise' someone else who could. Wink, wink.

Two articles in the New York Times today (11/16/07) put a personal perspective on the strike. Bill Carter's "Late Shows Move to Help The Workers Not on Strike" and Jennifer Steinhauer's "Writers' Strike Opens New Window on Hollywood".

Carter reports about efforts by Talk Show Hosts to keep their staffs paid, even if they can't be on the air. Steinhauer profiles the personal stories of writers, costumers, assistants, electricians, and thousands of others who are now or who will soon be out of work.

What these stories have in common is one underlying fact: the AMPTP won't sit down with the WGA.

Notwithstanding the AMPTP's full page ads, they'd rather spend their energy and money on avoiding talking to the writers and negotiating a fair deal. And why?

We're continuing to post interviews with writers, directors, and actors, in support of the strike. Please check in at Voices4Action! to hear Billy Ray talk about the emotional and financial toll the strike has taken on the community.

This letter was just sent out to SAG members by Doug Allen (Executive Director and Chief Negotiator) and Allen Rosenberg (President). Emphases in red are from us at UH -- LK.

Dear SAG Member:

Everyone hopes the WGA strike will end with a fair deal for the writers. There has been much speculation about the impact on the WGA strike of the tentative agreement between the Directors Guild of America

(From WGA Member and Colbert Report Writer Frank Lesser.)

Good news, guys! In solidarity with the WGA, all the cute internet
animals are going on strike.

Robert J. Elisberg, WGA Member and contributor to The Huffington Post, wrote a piece excerpted here called, "WGA Strike Primer: Settling a Final Debt."

It's not officially over yet, of course. There still is the matter of approving the contract. It's a 10-day process, a blink by strike standards, but long enough. Arguments of all views will be made, we do know that -- these are writers after all

Strike TV is an Internet fundraiser. It's an online "channel" featuring original video shows created by working professionals in the TV and Film Industry. These shows are self-funded and owned by their creators. Funds raised by ad revenue will go toward the Writers Guild Foundation Industry Support Fund, assisting union directors, actors and below the line members who are affected by the strike.

"The Newshour with Jim Lehrer" (PBS) reported on how the internet is at play in the Writers' Strike. Featuring an interview with Shawn Ryan, and clips from the first Strike TV meeting. Check out the clip at this address:

http://www.pbs.org/newshour/video/module.html?mod=0&pkg=25012008&seg=4

The holidays are beginning. Writers are on strike. Productions are shutting down. Thousands are out of work. The talks are stalled.

For writers it doesn't feel as if the talks ever really started.

In any negotiation, it's important to see the other side's point of view, but that hasn't been very easy to do. Rollbacks of benefits. No compensation for re-use. Exclusion from future markets.

Those don't feel like starting points.

We all understand the gamesmanship that goes into negotiations. Theatrics can be expected. But reasonable people try to keep the process under control.

As they walked away from the table, the congloms slammed the door behind them, muttering darkly about unprofessionalism. But during the six weeks of the strike, the AMPTP has not yet presented a fully detailed financial proposal.

Strikes are supposed to have a sense of urgency.

In 1988, Joan Didion wrote an essay on the writers' strike. There's a link to a pdf version at los angeles daze -- it's a must-read.

Agree or disagree with how this strike has been waged, she puts her finger on realities that sound eerily familiar, 20 years later -- and on some key differences as well.

Most importantly, the Union Blues writers that she talks about, who broke the back of the '88

This was submitted by WGA member Christopher Trumbo, member for 40 years, and son of WGA member Dalton Trumbo. His insights into the history of the guild are especially valuable now, as the strike continues and the AMPTP tries to divide us.

The AMPTP walked away on Friday. The WGA never left the table.

The Guild has made itself crystal clear: Specific proposals have been detailed, compromises have been made, the leadership continues to be engaged in a constructive dialogue to quickly resolve the strike. The AMPTP is as clear about its position: You can't talk to writers because they're emotional and don't understand business.

With the AMPTP away from the table, the negotiation is playing out in the press. If you read Dave McNary in Variety today, there's only one answer to the impasse: the WGA has to accept the companies' demands and get back to work. The companies are too powerful, with their deep pockets and experienced PR resources. The writers' are too emotional, which is great when they're writing screenplays, but not good when you're engaged in a difficult labor negotiation.

Picketing is long and tedious work. It's not something that any of us want to be doing, and after a few weeks of it, it's natural to ask, "Is this doing any good?"

Yes, it is.

Everyone's already heard that the AMPTP is returning to the table to negotiate with us, and a big part of the reason for that is the labor stoppage. Today, MediaWeek is telling a new side of the story. The strike is about to hit the TV networks in the wallet:

Media buyers, in light of the Writers Guild of America strike, say they might be a month away from asking the broadcast networks to renegotiate their upfront packages or give them cash back.

The networks have a clock on them, and the experts don't think reality programs will be able to bail out their schedules:

(We want to welcome SAG Member Justine Bateman as a regular contributor to United Hollywood. We hope to continue opening the site up to more voices from SAG and other unions. Justine reminds us that this fight belongs to all of us. We're all on the same page.)

Attention all SAG Actors:

I believe it's appropriate at this time to call all actors into action in support of the Writer's Guild on strike.
I know many of us have been walking the picket lines and attending the rallies, but I want to challenge ALL SAG members to see if they can commit an HOUR-A-DAY to walking the picket lines.
The AMPTP has been jerking the Writer's Guild around.
1. They offered nothing but insulting Roll-Backs to the WGA in the negotiations that caused the strike.

Robert J. Elisberg, who writes the regular WGA Strike Primer columns on The Huffington Post, responds below to Michael Cieply's recent article in the New York Times entitled, Writers Strike Tests Mettle of 2 Outsiders.

Last week, Michael Cieply wrote once-again about his perception of “fissures” in the Writers Guild. It’s a theme of his. Back during the 1988 WGA strike he specialized in writing

UH News
• Contract Update from Verrone and Winship
• UH Live for 12/5

Upcoming Events
From the WGAw
THURSDAY, 12/6THREE GENERATIONS OF WGA MEMBERS: Sherwood Schwartz, (creator of "Gilligan's Island" and "The Brady Bunch"), his son Lloyd, (writer and producer of "The Brady Bunch" feature films and many television comedies), and Lloyd's son Andy, a story editor on "Scrubs" -- will picket together at the main gate of CBS Radford from noon until 1 p.m. Sherwood Schwartz, 91, was a founding member of the Television Writers of America, which merged with screenwriters to become the WGA.

This was sent out today by the WGA:

LOS ANGELES and NEW YORK – The membership of the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) today voted overwhelmingly in favor of lifting the restraining order and ending their 100-day strike that began on Nov. 5. 3,775 writers turned out in Los Angeles and New York to cast ballots or fax in proxies, with 92.5% voting