With the launch of our new video campaign, Voices4Action! we'll be interviewing people who want to speak out about the strike and the larger issues of a changing media world.

Adam Brooks' interview of Tony Gilroy, the writer-director of Michael Clayton, starts the series. Tony speaks passionately about the partnership between writers and studios and about the trust that needs to exist

For the past month we've been filming interviews with writers, directors, actors, futurists, DPs, and people on the picket line, asking them to talk about the strike. Oliver Stone looked back at his years in the business, remembering how it used to be before the corporations' greed overwhelmed the movie business. Maria Maggenti told us about the importance of residuals to her career. Tony Gilroy

Something's very different on the picket line.

Since Thanksgiving, the energy on the picket lines has fallen off. One picketer was even seen reading a book while he walked the picket line.

It seems like only yesterday that we were chanting to stop trucks from crossing the picket line or "2-4-6-8, Why won't they negotiate." The turnout and the energy paid off. The AMPTP rejoined us at the negotiating table and that was great.

But now....we wait....in a news blackout.

Getting the agreement to restart the negotiations felt climactic, because so much energy had to be expended to get the AMPTP to do the right thing, but "restarting" the talks didn't mean "concluding" them.

The strike is over. The WGA contract has been ratified. SAG and AFTRA are now center stage and there is still a lot of work to do before the town gets back to normal. At this moment it's useful to look back at our own history. There are lessons to be learned about how the process can move forward even against what seems like overwhelming odds.

There are many who labored behind the scenes to support the writers' strike. At United Hollywood we worked with people who put their energy on the line but wanted to stay off the media's radar. Not content to just talk a good game, these are members and supporters who knew that if they wanted to make a difference, they had to work at it.

One group in particular came of age during the early part of the strike: the writer-directors. Nicknamed the WD-40, forty writer-directors met to search for ways they could help facilitate the negotiation.

From the beginning of the strike, most journalists accepted the AMPTP's lead and described the DGA and WGA as antagonistic to one another. Nicholas Counter was frequently quoted in the trades as preferring the DGA as a negotiating partner. The writer-directors objected to that characterization and felt that the AMPTP was doing what it always did in positioning the Guilds against one another to diminish each union's power.

This letter was just sent out to SAG members by Doug Allen (Executive Director and Chief Negotiator) and Allen Rosenberg (President). Emphases in red are from us at UH -- LK.

Dear SAG Member:

Everyone hopes the WGA strike will end with a fair deal for the writers. There has been much speculation about the impact on the WGA strike of the tentative agreement between the Directors Guild of America

The media blackout continues, although it's getting hard to tell. Today's Los Angeles Times is running a front page story titled "Writers, Studios Outline A Deal."

It has some of the most detailed information to date on how the informal talks have gone so far. When we compare it to what our off-the-record sources are saying, it appears to be fairly accurate.

We'd like to highlight the

This was sent yesterday to WGAW members:

Dear WGAW Members,

As you know, we are currently meeting informally with the companies under a news blackout. However, we would like to take this opportunity to urge you to attend this Monday’s WGA-SAG Unity Day picket at Fox Studios in Century City. More info here.

This joint WGA-SAG picket event will once again demonstrate to the entertainment

December 16, 2007

Dear Writers Guild of America Members,

I am writing to you on behalf of 120,000 proud members of Screen Actors Guild who stand with you in solidarity as your strike continues. We believe that now more than ever, we must remain strong and even more committed to achieving our common objectives. We are proud to walk shoulder-to-shoulder with you and SAG will be there for as long as it takes.

Your fight is our fight. Our National Executive Director Doug Allen and I are working around the clock with Patric Verrone and David Young to coordinate our strike support efforts. I'm sure you have seen some of the thousands of Screen Actors Guild members who've been walking the picket lines in Los Angeles, New York and around the country for the last six weeks.

Could tomorrow be the final mass picket of the strike? One way to help make that a reality is to show up at what could be the final mass picket of the strike!

Send a signal to the companies: If you want to make sure no last-minute legalistic monkey business derails the progress toward a fair and reasonable WGA deal, take a few laps around Disney tomorrow. We even made you a map.

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Tonight, I received a call from Larry Gelbart. Technically, it was Robot Larry Gelbart, via an automated call system. (During the strike authorization process, I received a call from Robot Stephen Gaghan.) Larry's message dealt with the rumors and media reports of the past 48 hours. His advice: "Lay them aside and pick up a picket sign."

We will try to bring you the full text of his message. (

This was sent today to WGA members from Presidents Verrone and Winship:

To Our Fellow Members:

On Tuesday, members of the Writers Guilds East and West voted by a 92.5% margin to lift the restraining order that was invoked on November 5th. The strike is over.

Writing can resume immediately. If you were employed when the strike began, you should plan to report to work on Wednesday. If you're not

(With all the best to Frank Pierson and thanks to Jon Avnet)

The latest AMPTP offer, Thursday's "groundbreaking" proposal, certainly wasn't what any of us hoped for. If we assume the AMPTP sincerely wants to end the strike, then everything they've done so far is counter-intuitive. Given the stakes, their behavior is crazy-making. Most members were shocked and demoralized that the offer was so inappropriate.

But when has anyone enjoyed a negotiation?

Personally, I hate negotiating. At first it feels good when I'm thinking about what I want. My mind's racing with the possibilities. But when the process starts and the first counter-offer comes in, I go through the seven stages of grief. If I want a deal that I can live with, I have to tough it out.

This was sent today by WGA Presidents Patric Verrone and Michael Winship to membership:

To Our Fellow Members,

While fully mindful of the continuing media blackout, we write you to address the rumors and reports that undoubtedly you have been hearing.

The facts: we are still in talks and do not yet have a contract. When and if a tentative agreement is reached, the first thing we will do is

Hey, folks. Long time no blog. But I just had to add something to the WGA official response to this lovely piece of... disinformation.

As per AMPTP President J. Nicholas Counter III today:

"The WGA is using fear and intimidation to control its membership. Asking members to inform on each other and creating a blacklist of those who question the tactics of the WGA leadership is as unacceptable today as it was when the WGA opposed these tactics in the 1950s."

FCC Chairman Kevin Martin seems dead set on pushing through a wildly unpopular media consolidation policy that would allow media moguls to gobble up more local news, radio, and newspaper outlets. The American people aren't happy about it, and neither are many leading politicians.

How, you ask, is this directly related to the writer's strike against the giant media conglomerates? This policy

As the strike continues and things heat up around the DGA negotiations, apparently the multi-national media mega-corps and their $100K a month crisis management flaks are ramping up their online psy-ops and misinformation campaigns.

Deadline Hollywood Daily, in a post detailing a range of less than savory actions taken by AMPTP members against WGA supporters, reported that "AMPTP staffers,

Statement from Chief Negotiator David Young and the WGA Negotiating Committee.

We have attempted to negotiate with the AMPTP companies since July. First they ignored our opening proposals. Then they told us we had to choose between their two horrible proposals. Then we removed DVDs from the table. Their response was to walk out of negotiations and tell the press that we were the ones who walked. Last week they presented us with another set of ultimatums. They didn’t even wait for a reply but broke off negotiations and walked out again.

There is a strategy at work here.

In any negotiation there are bottom line goals and “fringe” goals. The AMPTP wants to make the WGA reduce our demands to the bottom line so we’ll negotiate down from an acceptable deal to a bad deal If we do this, as we did with DVDs, you can be sure they would not hand us the deal we want. They would simply try to further wear us down.

The last day of official picketing ended with a high point at Fox.

Writers were joined on the picket line by many supporters. The honking at the Pico gate reached new decibel levels as crowds of picketers filled the sidewalk and waved their signs at the passing traffic.

The signs told the story: "WGA-DGA-SAG", "The House is Not Divided," "DGA-WGA Member," "Union Solidarity".

The appearance of so many SAG and DGA members made the point that even though the AMPTP spin machine works hard to create the impression that there is dissension between the unions and in the ranks of the WGA, the opposite is true.

Of course the strike has created tensions. How could it not?

There should be tensions when so much is at stake and so much has been sacrificed in the fight with the congloms. But our common interests outweigh that tension, and our solidarity is real.

This introduction was written by director Peter Hyoguchi. - JA

A portrait of a Writer's Guild picket line.
Each year, Hollywood produces a spate of network TV shows and a couple dozen feature films. With over 12,000 Writers Guild members, clearly not everyone is employed in a given year. While the mainstream media barrages us with images of red carpet and caviar success stories, the reality is that most professionals working in the entertainment industry are middle-class at best.

"Who's On The Line" features interviews with screenwriters Michael Tabb, Wendy Mericle, Zack Stratis, Monica Henderson, Matthew Goodman and Damon Lindelof.

Steven Bradbury, who is Deputy Assistant Attorney General for OLC (there has not been an official AAG at OLC for some time), is testifying today before the House Intelligence Committee. Here's his written statement. Not much to speak of there, except to note that he will not discuss the CIA techniques that have been deemed legal or unlawful, other than a welcome suggestion that hypothermia ("extremes in temperature") is now proscribed, even under DOJ analysis. Bradbury confirms that DOJ (that is, AG Mukasey) continues to adhere to the legal analysis in the December 2004 OLC opinion, with its indefensible reading of the torture statute. Bradbury also confirms what others in the Administration have been saying recently -- namely, that the "enhanced techniques" are used not merely in proverbial (but in fact mythical) "ticking timebomb" situations, but instead whenever the method in question is deemed "necessary to obtain information on terrorist attack planning or the location of senior al Qaeda leadership."

(We want to welcome SAG Member Justine Bateman as a regular contributor to United Hollywood. We hope to continue opening the site up to more voices from SAG and other unions. Justine reminds us that this fight belongs to all of us. We're all on the same page.)

Attention all SAG Actors:

I believe it's appropriate at this time to call all actors into action in support of the Writer's Guild on strike.
I know many of us have been walking the picket lines and attending the rallies, but I want to challenge ALL SAG members to see if they can commit an HOUR-A-DAY to walking the picket lines.
The AMPTP has been jerking the Writer's Guild around.
1. They offered nothing but insulting Roll-Backs to the WGA in the negotiations that caused the strike.

Today, Tuesday, 11/20/07, Los Angeles will experience a labor rally in support of the WGA strike. Marching west on Hollywood Boulevard from Ivar and gathering in front of Grauman's Chinese Theater, thousands upon thousands will join together to celebrate the importance of labor unions in American life.

And how will you know about this momentous occasion? You'll have to be there.

At the last rally in front of Fox Studios, 4,000 writers and their supporters marched and rallied, but when you watched the evening news, you'd never know it . There was plenty of time that night to talk about lost kittens but nothing about the peaceful march that closed down Pico Boulevard and Avenue of the Stars.

Today's rally marks a crucial juncture: a mass demonstration of our strength before the negotiations restart.

(This just in from the WGA... I've heard similar sentiment from friends and family all over the nation. The temperature I'm reading -- the whole country is fed up with corporate conglomerates caring only about the bottom line, and not about the welfare of their workers.)

Last week a coalition of WGA members went to NYC to talk with the seven largest media buyers on Wall Street.

These ad buyers are the large corporations (like Proctor & Gamble, Johson & Johnson, etc.) who advertise on TV and pay the networks' bills.

Our WGA crew, lead by Matthew Weiner, showrunner of "Mad Men," laid out our position to the advertisers -- who for some reason might not be getting entirely accurate forecasts from their corporate customers like CBS.

The event was a success. The coalition of media buyers agreed that our demands are reasonable and that it was "irresponsible on the part of the networks not to settle this dispute immediately."

RUMOR: WGA members are starting to hire "freelance picketers" to do their strike duty.
STATUS: Unconfirmed

Universal strike captain Jan Kimbrough noticed this Craig's List posting on Day Four:Reply to: gigs-473080663@craigslist.org
Date: 2007-11-08, 3:15PM PST

I can't make it to my picket tomorrow and I need somebody to take my place. I want to go see friends in San Diego while I have time off work, and I'll pay somebody $40 to cover my four-hour shift. My strike "captain" doesn't care as long as there are people out there. I'll give you my shirt and signs and all that crap.

If this works out on Friday then let's do it next week too. I'd really rather not have to deal with it.

The WGA just announced a new picket event, Bring an Actor Friend to the Line Day, for Tuesday, December 11. I like this event idea. SAG and the WGA have been partners in this from the beginning, and actors have been joining our picket lines every day of the strike. But the focus of this day is a little bit different.

Proving that walking the picket line stimulates your comic chops, the members of the Strike Club, formerly of Sony's Madison Gate and now keeping watch over the Galaxy Gate at Fox, offer up a short film that pokes a finger in the eye of the faceless congloms.

Strike TV is an Internet fundraiser. It's an online "channel" featuring original video shows created by working professionals in the TV and Film Industry. These shows are self-funded and owned by their creators. Funds raised by ad revenue will go toward the Writers Guild Foundation Industry Support Fund, assisting union directors, actors and below the line members who are affected by the strike.