Robert J. Elisberg, who writes the regular WGA Strike Primer columns on The Huffington Post, responds below to Michael Cieply's recent article in the New York Times entitled, Writers Strike Tests Mettle of 2 Outsiders.

Last week, Michael Cieply wrote once-again about his perception of “fissures” in the Writers Guild. It’s a theme of his. Back during the 1988 WGA strike he specialized in writing

Below is an op-ed piece from Wednesday's Los Angeles Times.

Stopping the cash flow will strengthen the writers' case, not cutting deals.

January 9, 2008

We get the impression, in this third month of the Hollywood writers strike, that morale on the picket lines and in the coffee shops isn't so hot. That's odd, given how strong the writers are looking right now.

With the downfall of the Golden

This was sent out today by the WGA:

LOS ANGELES and NEW YORK – The membership of the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) today voted overwhelmingly in favor of lifting the restraining order and ending their 100-day strike that began on Nov. 5. 3,775 writers turned out in Los Angeles and New York to cast ballots or fax in proxies, with 92.5% voting

I hope everyone has started back on the path to "normalcy". I, for one, was happy to see writers embraced on The Daily Show and The Colbert Report. And both shows were the better for being written by their writing staffs.

When the strike started we heard a lot of talk about writers writing specs during the strike. But I actually don't know anyone who wrote a script during the past 3 months. Some

We're told that the long strike of 1988 had two far-reaching consequences: the audience discovered cable and reality shows grew in popularity.

What will be the legacy of the 2007 strike?

Hard to say. The negotiations are still ongoing. But one fact is abundantly clear even at this point.

Writers love the internet.

Given that the AMPTP was trying to control the internet, there is something ironic about the way writers have taken to the web as the place to try out ideas or vent or be funny about issues that can seem simultaneously enraging and arcane, like the DVD formula with its string of percentages: 1.5% (or 1.8%) of 20% of the studio’s gross on DVD sales.

By various accounts, after only a few weeks, striking writers and their supporters have put between 750 and 1,000 videos on YouTube.

Robert J. Elisberg, WGA Member and contributor to The Huffington Post, wrote a piece excerpted here called, "WGA Strike Primer: Settling a Final Debt."

It's not officially over yet, of course. There still is the matter of approving the contract. It's a 10-day process, a blink by strike standards, but long enough. Arguments of all views will be made, we do know that -- these are writers after all

On Sunday, from Noon-4:00pm, Angelo Peloni, the owner of La Bruschetta Ristorante, in West LA, celebrated the end of the strike by hosting a buffet lunch for any writer who wanted to stop by. A tradition he started back in 1988 when his friend George Kirgo was the President of the WGA, Angelo and his wife, Susana, generously opened their kitchen and sent out platter after platter of antipasti,

WHY WE WRITE is a series of short essays by prominent TV and Film writers. Conceived by Charlie Craig and Thania St. John, the campaign hopes to inspire and inform during the strike, and perhaps beyond.

Today’s piece is written by Greg Garcia, Creator and Executive Producer of My Name Is Earl. To read it, go here.

Strike TV is an Internet fundraiser. It's an online "channel" featuring original video shows created by working professionals in the TV and Film Industry. These shows are self-funded and owned by their creators. Funds raised by ad revenue will go toward the Writers Guild Foundation Industry Support Fund, assisting union directors, actors and below the line members who are affected by the strike.

Submitted by Thania St. John, WGA member since 1988. In his now-famous piece "Suicide by Strike," Marc Andreessen pointed out in November that by denying writers (and actors and directors) a fair share of New Media, the corporations were beginning the process of making themselves obsolete. Basically, he says it's a pretty bone-headed thing for them to do, all to save a few cents on the dollar. -

WGA Press release from yesterday:

Los Angeles – Paul Howes, national secretary of the 135,000-strong Australian Workers’ Union, joined striking writers on the picket line in front of Fox Studios today in Los Angeles. In California for various meetings, Howes asked to meet with the WGA and discuss mutual labor issues.

“The AWU is one of Australia’s largest and most influential labor unions, and

We're continuing to post interviews with writers, directors, and actors, in support of the strike. Please check in at Voices4Action! to hear Billy Ray talk about the emotional and financial toll the strike has taken on the community.

This piece is by WGA strike captain Alfredo Barrios, a former corporate attorney turned writer. It offers insight into what the AMPTP methods and rationale for undermining the writers' resolve. Thanks to Ashley Gable for submitting this to us. -JA

We’re two months into the strike, and I’ve noticed a certain confusion and fear emanating from certain quarters about how things have been “handled”

"The Newshour with Jim Lehrer" (PBS) reported on how the internet is at play in the Writers' Strike. Featuring an interview with Shawn Ryan, and clips from the first Strike TV meeting. Check out the clip at this address:

http://www.pbs.org/newshour/video/module.html?mod=0&pkg=25012008&seg=4

Two articles in the New York Times today (11/16/07) put a personal perspective on the strike. Bill Carter's "Late Shows Move to Help The Workers Not on Strike" and Jennifer Steinhauer's "Writers' Strike Opens New Window on Hollywood".

Carter reports about efforts by Talk Show Hosts to keep their staffs paid, even if they can't be on the air. Steinhauer profiles the personal stories of writers, costumers, assistants, electricians, and thousands of others who are now or who will soon be out of work.

What these stories have in common is one underlying fact: the AMPTP won't sit down with the WGA.

Notwithstanding the AMPTP's full page ads, they'd rather spend their energy and money on avoiding talking to the writers and negotiating a fair deal. And why?

This press release was sent out by Strike TV. Interested in competing? Let them know! -JA

Writers to Shoot Over 30 Episodes of 4 Game Shows in Less Than 12 Hours

Los Angeles, CA (2/5/2008) - Some talk shows and game shows shoot five episodes in a day. Some might even try to shoot six or seven. But Sunday, February 10, will be a day like no other when writer/producer Rick Rosner and director/

This challenge was created by Wendy and is done by members of the A Novel Challenge group. I will be making notes here on progress and for the books that need to be reviewed, they will have the tag: A Novel Challenge

In the year 2008 I need to:

1. Read a short story and review it
2. Read a children's book and review it
3. Read a poem and review it
4. Read a banned book and review it
5. Give a book away - gave my copy of The Fab Girl's Guide to Friendship Hardships by Discovery Girls to a teen I know.
6. read 2 articles from any one magazine and tell about them.
7. Read a classic and review it Read Alice in Wonderland and Through the Looking Glass by Lewis Carroll, review here.
8. Got to a book event and tell about your experience
9. Read an essay and tell about it
10. Read something inspirational and tell why it inspired you

This was submitted by WGA and DGA member Joss Whedon.

Dear Writers,

I have good news. I have lots of good news. In fact, I have way too much good news.

The strike is almost over. A resolution is days away. Weeks. Friday. Valentine's day. Two weeks exactly from whenever my manager/agent/lawyer told me. Yes, after talking to writers and actors all over town, I'm happy to report that the strike

WGA WRITERS THANK OUR COMMUNITY
FREE EVENT AT SHERMAN OAKS CASTLE PARK
FOR ANYONE OUT OF WORK BECAUSE OF THE STRIKE
As the WGA strike moves into a second month, we, a group of writers, want to recognize the members of our community who are out of work or otherwise impacted. While we support our union’s actions, we feel badly that the strike is taking a toll on so many people who are not writers. We know that many in the industry have been going through a tough time…and at this point we probably could all use a dose of levity.

To that end, if you are not a writer and are out of work because of the strike, we invite you and your kids to a free afternoon of mini-golf and arcade games at the Sherman Oaks Castle Park. We will provide pizza, ice cream and lots of fun.

The Details:
WGA writers thank our community
December 11, 2007
4pm-7pm

What we have been calling the "Union Solidarity Fund" is now officially called the Writers Guild Foundation Industry Support Fund. Our friends at the Foundation have stepped up to coordinate the tremendous outpouring of generosity from businesses, fans, writers, actors, directors and the public to help non-WGA professionals affected by the strike. We will link to information on how to apply for assistance as soon as it is on the Foundation site.

The Foundation is accepting donations now. Send them to 7000 W. Third St. LA 90048, and indicate "Industry Support Fund."

Life on Strike was originally produced for The Strike Show, a live comedy-variety show that raised money to benefit members of the industry who are affected by the strike via the Motion Picture and Television Fund. and features Ana Ortiz (UGLY BETTY), Nick Kroll, (CAVEMEN), and Kat Foster (TIL' DEATH).

The holidays are beginning. Writers are on strike. Productions are shutting down. Thousands are out of work. The talks are stalled.

For writers it doesn't feel as if the talks ever really started.

In any negotiation, it's important to see the other side's point of view, but that hasn't been very easy to do. Rollbacks of benefits. No compensation for re-use. Exclusion from future markets.

Those don't feel like starting points.

We all understand the gamesmanship that goes into negotiations. Theatrics can be expected. But reasonable people try to keep the process under control.

As they walked away from the table, the congloms slammed the door behind them, muttering darkly about unprofessionalism. But during the six weeks of the strike, the AMPTP has not yet presented a fully detailed financial proposal.

Strikes are supposed to have a sense of urgency.

This was sent today to WGA members from Presidents Verrone and Winship:

To Our Fellow Members:

On Tuesday, members of the Writers Guilds East and West voted by a 92.5% margin to lift the restraining order that was invoked on November 5th. The strike is over.

Writing can resume immediately. If you were employed when the strike began, you should plan to report to work on Wednesday. If you're not

(We want to welcome SAG Member Justine Bateman as a regular contributor to United Hollywood. We hope to continue opening the site up to more voices from SAG and other unions. Justine reminds us that this fight belongs to all of us. We're all on the same page.)

Attention all SAG Actors:

I believe it's appropriate at this time to call all actors into action in support of the Writer's Guild on strike.
I know many of us have been walking the picket lines and attending the rallies, but I want to challenge ALL SAG members to see if they can commit an HOUR-A-DAY to walking the picket lines.
The AMPTP has been jerking the Writer's Guild around.
1. They offered nothing but insulting Roll-Backs to the WGA in the negotiations that caused the strike.

The Writer's Strike Story (So Far) depicts events through moments in classic film:
http://www.youtube.com/watch?v=qkvttQRZtBo

Mogul "Saddened" By WGA Strike demonstrates how one mogul is coping during the Writer's Strike:
http://www.youtube.com/watch?v=8A14db2Wco0

A fan broadcasts how the strike is affecting him, and pleads with the CEO's to come back and negotiate.
http://www.thepalestra.com

StrikeSwag.com - the non-profit site which donates all profits to the Writers Guild Foundation Industry Support Fund to assist non-WGA members of the industry who are in financial distress as a direct result of the strike - is out with its January 2008 line which Fashion Week boldly called "the black and white shield tee." This 100% cotton shirt a variant of the official WGA West strike shirt.

Pickets and rallies all over the states and the world are popping up in support of the writers' strike.

In New Mexico, on the College of Santa Fe campus, writers and supporters gathered.

Here's a link to the news video of the Phoenix picket of local Fox station sent to me by strike captain Teena Booth (who is on camera in the video).

Striking writers and supporters made this video of rallies and pickets in Australia.

This letter was just sent out to SAG members by Doug Allen (Executive Director and Chief Negotiator) and Allen Rosenberg (President). Emphases in red are from us at UH -- LK.

Dear SAG Member:

Everyone hopes the WGA strike will end with a fair deal for the writers. There has been much speculation about the impact on the WGA strike of the tentative agreement between the Directors Guild of America